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比尔盖茨书单:我狂追了这部很棒的英国间谍剧

By 新西兰中文先驱网· 2024年05月25日 05:15

转载自公众号:比尔盖茨(gatesnotes)

我是一个间谍影视剧迷。虽然我也挺喜欢詹姆斯·邦德,但其实更喜欢的是那些依靠智慧、不擅长肉搏、也不怎么穿得体西装的角色。

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杰克逊·兰姆(Jackson Lamb),Apple TV+剧集《流人(Slow Horses)》中的主角,就是这类间谍的极端版本。他很少洗澡、衬衫总满是面包屑,身穿一件多年未洗的污渍风衣。他又烟又酒、脾气极差,且对下属很刻薄,甚至毫不掩饰自己的放屁声。如果你让人工智能创造一个詹姆斯·邦德的反面人物,它会给你杰克逊·兰姆。

但兰姆与007有一个共同点:他非常擅长自己的工作。由加里·奥德曼饰演的他是“斯劳部门”(Slough House)的负责人,这是英国情报机构内的一个虚构小组,当人们犯了大错(但还不足以被解雇)时,就会被派到这里。这是一个官僚主义的垃圾场,里面的特工不被期望做任何实际工作——他们只是在干等,直到被重新分配任务。《流人》这个标题就来自于英国情报机构的其他成员对斯劳部门特工的轻蔑昵称。

这部剧让我想起了约翰·勒卡雷(John le Carré)的小说,其中充满了复杂的角色和错综的情节。实际上,《流人》也是基于英国小说家米克·赫伦(Mick Herron)的一系列小说改编的。兰姆显然很不情愿被这份死气沉沉的工作困住——你最终会发现他是如何落到这一步的——但他能力出众,对工作认真负责。就在事情似乎不会有好结果的时候,你会发现他比谁都聪明。他以一种严厉但关爱的方式,让他手下的人发挥出最佳表现。

瑞弗·卡特怀特(River Cartwright)是兰姆手下的重要特工之一,他在剧集开头的一幕中为一次重大失误背了黑锅,之后被调到斯劳部门。瑞弗犯了很多错误,经常后果严重,但他是个好特工,你总是会为他加油鼓劲。他的祖父是一位传奇的情报特工,瑞弗总会努力以不辜负祖父的期望。

其他角色也刻画得很生动,生动到当其中一名特工被杀时,你真的能感受到那份悲痛(至少我是这样!)。你还会在总部遇到一些强大而迷人的角色,他们为了争权夺利而互相算计。克里斯汀·斯科特·托马斯(Kristin Scott Thomas)饰演的兰姆那聪明的上司戴安娜·泰维纳(Diana Taverner)就尤其出色。

虽然我对间谍的世界一无所知,但这部剧中的大部分间谍活动看起来相当可信——这里没有花里胡哨的阿斯顿·马丁跑车。不过,斯劳部门的电脑专家能在创纪录的时间内黑进任何地方的任何设备,还是让我忍俊不禁。这虽然推动了情节的发展,但很难让人相信。

每当我和别人谈论伟大的间谍电影时,我总会提到两部恰好都由罗伯特·雷德福德(Robert Redford)主演的电影:1975年大火的《秃鹰七十二小时(Three Days of the Condor)》和2001年隐藏的瑰宝《间谍游戏(Spy Game)》。现在我要加上《流人》,它堪比我看过的最好的间谍片。

I’m a huge fan of spy movies and shows. Although I like James Bond just fine, I really go for the characters who rely on their brains, aren’t especially good in a fistfight, and don’t fill out a tuxedo too well.

Jackson Lamb, the lead character in the Apple TV+ series Slow Horses, is an extreme version of one of those spies. He rarely bathes. His shirt is always covered with crumbs, and he wears a stained trench coat that hasn’t been washed in years. He’s a smoker and an alcoholic. He has a terrible temper and is nasty to his subordinates. He doesn’t even attempt to hide his flatulence. If you asked an AI to invent the opposite of James Bond, it would give you Jackson Lamb.

But Lamb has one thing in common with 007: He is really good at his job. Played by Gary Oldman, he’s the head of Slough House, a fictional group inside the British intelligence agency that people get sent to when they mess up badly, but not quite badly enough to get fired. It’s a bureaucratic dumping ground where the agents aren’t expected to do any real work—they’re just biding their time until they can get reassigned. Slow Horses gets its title from the derisive nickname that the rest of British intelligence uses for Slough House agents.

The show reminds me of John le Carré novels, which have lots of complex characters and complicated plots. (In fact, Slow Horses is based on a series of novels by British novelist Mick Herron.) Lamb clearly resents getting stuck with this dead-end job—you eventually find out how he ended up there—but he’s incredibly capable and takes his work seriously. Just when it seems like things can’t turn out well, you find out that he has outsmarted everybody. And he manages to get the best out of his people in a tough love kind of way.

One of Lamb’s key agents is River Cartwright, who’s assigned to Slough House after taking the blame for a big foul-up in the show’s opening scene. River makes a lot of mistakes, often with serious consequences, but he’s a good agent and you’re always rooting for him. His grandfather was a legendary intelligence agent, and River struggles to live up to his expectations.

The other characters are well fleshed out too—well enough that when one of the agents is killed, you really feel it. (At least I did!) You also meet some powerful and fascinating people at the main office who plot and scheme against each other to gain power. Kristin Scott Thomas is especially good as Lamb’s clever boss, Diana Taverner.

Although I don’t know anything about the world of spies, most of the spycraft seems pretty believable—there are no tricked-out Aston Martins in this show. Still, I had to laugh at the way Slough House’s computer expert can hack into any device anywhere in record time. It moves the plot along, but it’s hard to believe.

Whenever I’m talking with someone about great spy movies, I always mention two that both happen to star Robert Redford: Three Days of the Condor, which was a hit in 1975, and a hidden gem called Spy Game, which came out in 2001. Now I’m going to add Slow Horses. It’s up there with the best spy stuff I’ve seen.

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